{"id":80017,"date":"2022-06-27T16:56:02","date_gmt":"2022-06-27T16:56:02","guid":{"rendered":"https:\/\/www.uri.edu\/news\/?p=80017"},"modified":"2022-07-12T16:27:59","modified_gmt":"2022-07-12T16:27:59","slug":"uri-connected-guitar-trio-the-great-necks-lands-on-billboard-chart-with-new-album","status":"publish","type":"post","link":"https:\/\/www.uri.edu\/news\/2022\/06\/uri-connected-guitar-trio-the-great-necks-lands-on-billboard-chart-with-new-album\/","title":{"rendered":"溏心vlog免费B站-connected guitar trio The Great Necks lands on Billboard chart with new album"},"content":{"rendered":"\n

KINGSTON, R.I. \u2013 June 27, 2022 \u2013 When internationally known classical guitarists Adam Levin, Scott Borg and Matt Rohde came together seven years ago to form The Great Necks trio, their goals were both straightforward and ambitious.<\/p>\n\n\n\n

\u201cWe came together to make great music together,\u201d says Levin, a teacher of classical guitar at the 溏心vlog免费B站, \u201cand do what\u2019s never been done before.\u201d<\/p>\n\n\n\n

\u201cThere are a lot of classical guitar ensembles that sort of stay in the lanes of the traditional and of the safe,\u201d adds Rohde. \u201cWe were interested in making great music, as Adam said, and having a great time together, but we also really wanted to push the limits of the instrument and introduce a repertoire that maybe another ensemble wouldn\u2019t even dare.\u201d<\/p>\n\n\n\n

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With the release of \u201cImpressions of Spain,\u201d the trio has now accomplished those goals with its first two albums. And more. Not only is the music challenging, critically acclaimed and expanding the repertoire for three guitars, but it\u2019s selling.<\/p>\n\n\n\n

The week after its May 20 release, \u201cImpressions of Spain<\/a>\u201d (Navona Records) debuted at No. 2 on the weekly Traditional Classical Billboard chart, one spot below cellist Yo-Yo Ma and one above legendary composer John Williams. Their first album, \u201cOriginal Arrangements for Three Guitars\u201d (Frameworks), reached No. 10 on the Billboard chart in 2018.<\/p>\n\n\n\n

\u201cIt\u2019s very validating and, frankly, thrilling to see our ensemble on that list, especially when it\u2019s next to someone like Yo-Yo Ma,\u201d says Rohde. \u201cThis is a group that we all really, really believe in, and we\u2019re doing something that no one else in the guitar world is doing. To see people respond to that in a positive way is really rewarding.\u201d<\/p>\n\n\n\n

\u201cGrowing up as a kid, you don\u2019t ever really imagine yourself being on these charts,\u201d adds Borg. \u201cIt\u2019s a pretty phenomenal feeling.\u201d<\/p>\n\n\n\n

\u201cImpressions of Spain\u201d features the works of four Spanish master composers from the late 19th<\/sup> and early 20th<\/sup> centuries \u2013 Isaac Alb\u00e9niz, Enrique Granados, Joaqu\u00edn Turina and Manuel de Falla, and French composer Maurice Ravel. Like the trio\u2019s first album, \u201cImpressions of Spain\u201d introduces new arrangements \u201cnever conceived for classical guitar,\u201d Levin says. Noted arranger and classical guitarist Gregg Nestor adapted the pieces \u2013 originally meant for such formats as piano, voice or orchestra \u2013 for three guitars.<\/p>\n\n\n\n

\u201cSpanish music is so deep at the heart of the classical guitar, but often the same repertoire seems to bubble up in concerts and in recordings,\u201d Rohde says. \u201cThis is a very fresh take on Spanish music that a lot of people will not be familiar with. And it still taps into the very important part of the soul of the guitar.\u201d<\/p>\n\n\n\n

The pieces on the album span nearly three-quarters of a century, from Albeniz\u2019s \u201cThe Magic Opal\u201d to de Falla\u2019s \u201c4 Piezas Espa\u00f1olas.\u201d The recorded collection provides a representative sampling of each composer\u2019s Spanish sound during that period of time, Levin says.<\/p>\n\n\n\n

\u201cThat identifiable Spanish sound was actively being cultivated among the composers on the album, and to hear how each composer brought their own flair to this music was educational as well as inspirational,\u201d he says.<\/p>\n\n\n\n

\u201cThe music is very accessible,\u201d adds Borg. \u201cIt\u2019s definitely enjoyable and fun to play. There are so many different levels of complexity to it. Each time we play it, we hear something different and try to create an even more nuanced interpretation. It\u2019s one of those albums you can listen to over and over again. Each time you listen you get something else from the album.\u201d<\/p>\n\n\n\n

Levin, Rohde and Borg, who met during their years in school \u2013 Levin and Borg at the New England Conservatory and Borg and Rohde at Yale University \u2013 formed The Great Necks<\/a> almost as an afterthought.<\/p>\n\n\n\n

In 2015, they started the Kithara Project<\/a>, a nonprofit that aims to improve the lives and opportunities of young people through classical guitar. Today, more than 120 students are taking part in free, comprehensive guitar programs in three low-income areas \u2013<\/p>\n\n\n\n

Boston, Albuquerque and Mexico City, where the organization recently completed construction and inaugurated a new music school.<\/p>\n\n\n\n

The trio had so much fun establishing the nonprofit together that they decided to take the relationship on the road, starting as the Kithara Project Trio, which morphed into The Great Necks (named for the neck of the guitar, not Great Neck, New York).<\/p>\n\n\n\n

All are solo artists, recording artists and educators, with numerous overlapping projects, including regular festival and concert appearances on multiple continents. Rohde, who lives in Mexico City, has also composed and recorded the score for an HBO documentary; Borg, who lives in Washington, D.C., has conducted guitar orchestras in Baltimore and Boston; and Levin, who lives in Boston, has twice previously appeared on the Billboard chart with solo and duo projects and is the artistic director and founder of the 溏心vlog免费B站 Guitar Festival<\/a>.<\/p>\n\n\n\n

From their corners of the globe, the trio comes together as The Great Necks to record and perform. \u201cImpressions of Spain\u201d was produced at Futura Productions recording studio in the Roslindale section of Boston with engineer John Weston. Borg, Levin and Rohde began rehearsals five days before, all showing up ready to bounce ideas off each other in time-consuming sessions.<\/p>\n\n\n\n

\u201cBecause we live in three different places, we rely heavily on having our parts prepared prior to rehearsing,\u201d says Borg, who plays an eight-string guitar in the trio. \u201cOne of the great things about playing together is that we share the same understanding and sensibility when it comes to music and performance.\u201d<\/p>\n\n\n\n

\u201cSo many new and fresh ideas come together when we are in rehearsal and later, spontaneously, on stage,\u201d Levin adds. \u201cWe\u2019re constantly forcing one another to be more consummate musicians and better listeners.\u201d<\/p>\n\n\n\n

Along with touring with their new album, Borg, Levin and Rohde have started commissioning a half dozen new works for three guitars for their next album. Already signed onto the project are renowned Cuban-Spanish composer Eduardo Morales-Caso and French composer and guitarist Mathias Duplessy.<\/p>\n\n\n\n

For more information on the trio, please visit: www.thegreatnecks.com<\/p>\n","protected":false},"excerpt":{"rendered":"

KINGSTON, R.I. \u2013 June 27, 2022 \u2013 When internationally known classical guitarists Adam Levin, Scott Borg and Matt Rohde came together seven years ago to form The Great Necks trio, their goals were both straightforward and ambitious. \u201cWe came together to make great music together,\u201d says Levin, a teacher of classical guitar at the University […]<\/p>\n","protected":false},"author":25,"featured_media":80018,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[2],"tags":[],"class_list":["post-80017","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archives"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/posts\/80017","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/comments?post=80017"}],"version-history":[{"count":6,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/posts\/80017\/revisions"}],"predecessor-version":[{"id":80040,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/posts\/80017\/revisions\/80040"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/media\/80018"}],"wp:attachment":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/media?parent=80017"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/categories?post=80017"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/tags?post=80017"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}