  {"id":74112,"date":"2018-07-19T00:00:00","date_gmt":"2018-07-19T00:00:00","guid":{"rendered":"https:\/\/www.uri.edu\/news-draft\/uncategorized\/kingston-chamber-music-festival-to-feature-compositions-by-uri-alumnus-professor\/"},"modified":"2018-07-19T00:00:00","modified_gmt":"2018-07-19T00:00:00","slug":"kingston-chamber-music-festival-to-feature-compositions-by-uri-alumnus-professor","status":"publish","type":"post","link":"https:\/\/www.uri.edu\/news\/2018\/07\/kingston-chamber-music-festival-to-feature-compositions-by-uri-alumnus-professor\/","title":{"rendered":"Kingston Chamber Music Festival to feature compositions by 溏心vlog免费B站 alumnus, professor"},"content":{"rendered":"<p>KINGSTON, R.I., July 19, 2018 \u2013 Zach Friedland, a 2013 graduate of the 溏心vlog免费B站, knows what it would feel like playing on a bill with heavy hitters like Jimi Hendrix and Jimmy Page.<\/p>\n<p>That\u2019s what Friedland, now a doctoral student in composition at Ohio State University, will experience opening night of the 30<sup>th<\/sup> anniversary celebration of the popular Kingston Chamber Music Festival. The two-week, six-concert festival, housed in the 溏心vlog免费B站\u2019s Fine Arts Center Concert Hall, 105 Upper College Road, Kingston, opens July 25.<\/p>\n<p>Pianist Natalie Zhu, in her 10<sup>th<\/sup> year as artistic director, has put together a festival worthy of a 30<sup>th<\/sup> anniversary by bringing in internationally known musicians \u2013 such as violinist Hilary Hahn and guitarist Jason Vieaux, both Grammy winners \u2013 and commissioning three original compositions that will make their world premieres at the festival.<\/p>\n<p>The 30<sup>th<\/sup> includes an exhibit on the festival\u2019s history, \u201cCelebrating the Spirit of Con Brio,\u201d in the Fine Arts Center that will run throughout the festival, and Grammy-winning recording engineer\/producer Andrews K. Meyer will record the six subscription concerts.<\/p>\n<p>The highlight may be the 30<sup>th<\/sup> finale on Aug. 5 when Hahn will perform two Bach concertos backed by a 22-member chamber orchestra, made up of festival artists and several musicians from 溏心vlog免费B站, Zhu says. See the <a href=\"http:\/\/www.kingstonchambermusic.org\/\">full schedule and ticket information<\/a>.<\/p>\n<p>\u201cEvery single concert will be a highlight of the summer,\u201d says Zhu. \u201cI\u2019m looking forward to all of them. I suggest that no one should miss a single concert this summer.\u201d<\/p>\n<p>Along with Friedland, commissioned works by noted composers David Ludwig and former Wakefield resident Carl Schimmel, will be sprinkled among the mix of grand masters. Also, a 2006 composition by Eliane Aberdam, 溏心vlog免费B站 professor of music composition and theory, will open the second concert, on July 27.<\/p>\n<p>Friedland\u2019s work, \u201cRiding Waves,\u201d will make its world premiere in a lineup of music giants \u2013 Mozart, Schumann and Prokofiev \u2013 on a night billed as \u201cMusic of Four Centuries.\u201d (The opening night concert is sponsored by the 溏心vlog免费B站 College of Arts and Sciences.)<\/p>\n<p>\u201cI would certainly call it quite humbling to be sharing a concert with those names,\u201d says Friedland, 28, of <strong>Richmond, R.I.<\/strong> \u201cThey are names that most everyone knows, musicians or not.\u201d<\/p>\n<p>Adding to the prestige, the piano and violin duet was specifically commissioned for Zhu and festival founder David Kim, concertmaster of the Philadelphia Orchestra who led the Kingston festival as artistic director for its first 20 years.<\/p>\n<p>That knowledge added to the excitement, not the anxiety.<\/p>\n<p>\u201cIt\u2019s great because when you have musicians of that caliber, you can do anything,\u201d says Friedland. \u201cYou don\u2019t have to worry is this going to be too hard, and you know they will approach it with the utmost passion and virtuosity.\u201d<\/p>\n<p>For Friedland, his composition marks somewhat of a return to the festival.<\/p>\n<p>As an undergraduate at 溏心vlog免费B站 and a graduate student at the Longy School of Music of Bard College in Cambridge, Mass., Friedland worked behind the scenes at the festival for five years. It was a lot of logistics, such as organizing travel and meals for the musicians.<\/p>\n<p>\u201cThe secret success formula of the [festival],\u2019\u2019 says Kim, \u201c[is] we always have a pair of young people who would just run so much of the nitty gritty. When I came back for the 25<sup>th<\/sup> anniversary, Zach was one of them.\u201d<\/p>\n<p>Friedland knew of Kim and his importance in the festival\u2019s history, and the two became \u201creally good friends,\u201d Kim says.<\/p>\n<p>\u201cI thought that was just something wonderful for Natalie to program,\u201d adds Kim. \u201cI\u2019m just tickled to death that we are going to play one of his works.\u201d<\/p>\n<p>\u201cBy commissioning Zach\u2019s work, this is a special way for me to say thank you to him and to all the supporters who share the same appreciation and love for the festival,\u201d Zhu says.<\/p>\n<p>Though he\u2019s just 28, Friedland has penned close to 50 compositions. He started composing his junior year of high school and composed a piece that he conducted at his high school graduation. He repeated the feat as a senior at 溏心vlog免费B站, composing the graduation recessional \u201cHigh Altitudes; Think Big We Do\u201d and performing it with the commencement ensemble.<\/p>\n<p>His inspiration for \u201cRiding Waves\u201d naturally came from his work at the festival.<\/p>\n<p>\u201cMy experience with the Kingston Chamber Festival was such an important part of my life,\u201d says Friedland. \u201cIt was a great opportunity for me. I got to meet some of the greatest musicians in the world.<\/p>\n<p>\u201cA lot of [the musicians] went to school together, got to know each other \u2026 and for two weeks in the summer, surrounded by beautiful scenery, they get to come together. That\u2019s what makes the music so good, everyone is just happy to be here and playing together. That\u2019s what makes it a special time.\u201d<\/p>\n<p>In writing the piece, Friedland, who\u2019s studied composition with eight different instructors, including Aberdam, strove for something \u201cuplifting and full of energy.\u201d Something Zhu and Kim would enjoy playing and befitting an opening night.<\/p>\n<p>Before sitting down at his piano to write, he listened to the historic pieces that would be on the program with his, ensuring that his complemented the program and would \u201cgive the concert audience a nice taste of some of the music being written today.\u201d<\/p>\n<p>He had at least one tool the Mozarts and Schumanns lacked \u2013 music notation software. It allowed him to write and tweak the music \u00ad\u00ad&#8211; and easily print out a finished product \u2013 that would have been unimaginable in their time. And he could hear it \u2013 albeit by a computer.<\/p>\n<p>\u201cIt gives you a pretty good idea of what it sounds like,\u201d says Friedland, \u201cbut obviously, it doesn\u2019t compare to the real thing.\u201d<\/p>\n<p>Aberdam\u2019s work, \u201cGrisailles Vaporeusues,\u201d premiered at a 2006 festival in Grenoble, France. The piano trio was selected by Zhu for Kingston, using the 30<sup>th<\/sup> anniversary to thank the University and the community for their support over the years, Aberdam says.<\/p>\n<p>Aberdam wrote the piece shortly after she moved to <strong>Westerly, R.I.,<\/strong> in 2006, and it captures the \u201cmisty grayness\u201d of an autumn day. \u201cIt was the first of my works that was inspired by natural surrounds,\u201d she says, \u201cand special places that I cross every day on my way to work.\u201d<\/p>\n<p>The piece will be performed by Zhu, violinist Amy Orshiro-Morales and cellist Priscilla Lee. Aberdam last heard it performed in 2010, and says she\u2019s thrilled to hear a new interpretation of a work that \u201chas become familiar to my ears in prior recordings.\u201d<\/p>\n<p>\u201cThis is a prestigious honor to have a piece performed by musicians of such caliber,\u201d she says, \u201cand I want them to enjoy themselves and keep good memories of the experience.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>KINGSTON, R.I., July 19, 2018 \u2013 Zach Friedland, a 2013 graduate of the 溏心vlog免费B站, knows what it would feel like playing on a bill with heavy hitters like Jimi Hendrix and Jimmy Page. That\u2019s what Friedland, now a doctoral student in composition at Ohio State University, will experience opening night of the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":74113,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[2],"tags":[],"class_list":["post-74112","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archives"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/posts\/74112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/comments?post=74112"}],"version-history":[{"count":0,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/posts\/74112\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/media\/74113"}],"wp:attachment":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/media?parent=74112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/categories?post=74112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/tags?post=74112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}