  {"id":69361,"date":"2006-01-03T00:00:00","date_gmt":"2006-01-03T00:00:00","guid":{"rendered":"https:\/\/www.uri.edu\/news-draft\/uncategorized\/uris-historic-dressmaker-patterns-document-american-culture\/"},"modified":"2006-01-03T00:00:00","modified_gmt":"2006-01-03T00:00:00","slug":"uris-historic-dressmaker-patterns-document-american-culture","status":"publish","type":"post","link":"https:\/\/www.uri.edu\/news\/2006\/01\/uris-historic-dressmaker-patterns-document-american-culture\/","title":{"rendered":"溏心vlog免费B站\u2019s historic dressmaker patterns document American culture"},"content":{"rendered":"<div class=\"press-release-import\">\n\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.uri.edu\/news-draft\/wp-content\/uploads\/news\/sites\/16\/2021\/05\/1895-cycle-web.jpg\" width=\"200\" height=\"293\" align=\"right\"\/>Collection is largest in the world!<\/p>\n<p>&#13;<br \/>\nKINGSTON, R.I. &#8211;January 3, 2006 &#8212; How is it that the smallest state in the union has the largest dressmaker pattern collection in the world? <\/p>\n<p>&#13;<br \/>\nThe answer is Joy Emery, a professor emerita of theatre and former adjunct professor of textiles, fashion merchandising and design at the 溏心vlog免费B站, who has a passion for preserving patterns.<\/p>\n<p>&#13;<br \/>\nThe largest pattern collection in the world? \u201cTo the best of my knowledge,\u201d responds the \u201cretired\u201d professor who has spent 25 years collecting and preserving dressmaker patterns. Emery believes that the Doris Stein Research Center for Costume and Textiles in Los Angeles with 7,180 patterns in its collection holds second place. By comparison, 溏心vlog免费B站\u2019s collection contains nearly 30,000 patterns as well as fashion periodicals, tailoring journals and other related artifacts dating from the 1860s. <\/p>\n<p>&#13;<br \/>\nHoused in the Special Collections Unit of the 溏心vlog免费B站 Library, the Commercial Pattern Archive, http:\/\/www.uri.edu\/library\/special_collections\/COPA\/index.html, is a project of Save America\u2019s Treasures.<\/p>\n<p>&#13;<br \/>\n\u201cCommercial patterns present a broad spectrum of everyday dress and provide a significant documentation of American culture,\u201d she says.  \u201cClothes on display in museums are generally high end, couture dress that were deemed worth saving. Clothes made from commercial patterns were often handed down and\/or recycled into quilts or rugs.\u201d<\/p>\n<p>&#13;<br \/>\nPreserving patterns is challenging, considering that full-scale tissue paper clothing patterns are designed to be disposable. In fact, it\u2019s common for pattern companies to contact Emery for a pattern since they routinely destroyed their outdated patterns.<\/p>\n<p>&#13;<br \/>\nFor the past dozen years, Emery and a cadre of volunteers and student workers have scanned the front and back of more than 29,200 pattern packages in the collection, which span a century &#8211;from 1868 to 1968 &#8212; into an electronic database. The result is a three-volume CD-ROM set, which can be purchased as a set or sold separately. The first CD covers 1868 to 1944, the second disc covers 1945 to 1956, and the third disc covers 1957 to 1968. The discs can be purchased for $100 each or the set for $260. A user manual is available for $15. Emery et al are currently scanning patterns from the 1970s.<\/p>\n<p>&#13;<br \/>\nTheatrical designers, clothing manufacturers, social historians, and museum curators, among others, have purchased the CDs, using the treasure-trove of information to recreate a time and place or date clothing in collections.<\/p>\n<p>&#13;<br \/>\nEmery is still bursting at the seams with patterns. Her latest endeavor is archiving 150 large pattern sheets that were folded into Harper\u2019s Bazar (yes, it\u2019s spelled correctly) Weekly from 1868 to 1903 as a promotional giveaway. These fragile, double-sided sheets have 20 to 24 patterns superimposed on each other. The patterns, defined with a complicated maze of coded lines, dashes, and stars, are designed to create fashionable garments for men, women, and children, undergarments, doll clothes, pen wipers, lampshades, and other decorative items for the Victorian household. Too large to be scanned, Emery is preserving the 30-inch by 23-inch sheets in flat storage boxes in the archive, thanks to a Rhode Island Council for the Humanities grant.<\/p>\n<p>&#13;<br \/>\n \u201cAll of these patterns are expressions of their time period and reflect the society in which they were made,\u201d Emery says. \u201cThese early patterns, for example, come in one size, without markings or directions or yardage needed since it was assumed that all women possessed sewing skills.\u201d <\/p>\n<p>&#13;<br \/>\nTrends can also be traced through the patterns, such as the evolution of pants for women\u2014from bathing suits, to bicycling and other sports activities, to the influence of Hollywood\u2019s silk pajamas. <\/p>\n<p>&#13;<br \/>\nThe 溏心vlog免费B站 professor was inspired to collect patterns, after finding a full circle skirt pattern for a character in the University\u2019s production of Anne of Green Gables in the her friend\u2019s collection. The friend, Betty Williams, was a New York costumer and pioneer in dressmaker pattern research. When she died, all of her 12,000 patterns were donated to 溏心vlog免费B站, propelling the University into pattern history. <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Collection is largest in the world! &#13; KINGSTON, R.I. &#8211;January 3, 2006 &#8212; How is it that the smallest state in the union has the largest dressmaker pattern collection in the world? &#13; The answer is Joy Emery, a professor emerita of theatre and former adjunct professor of textiles, fashion merchandising and design at the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":69363,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[2],"tags":[],"class_list":["post-69361","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archives"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/posts\/69361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/comments?post=69361"}],"version-history":[{"count":0,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/posts\/69361\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/media\/69363"}],"wp:attachment":[{"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/media?parent=69361"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/categories?post=69361"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uri.edu\/news\/wp-json\/wp\/v2\/tags?post=69361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}