{"id":17865,"date":"2025-11-21T12:13:38","date_gmt":"2025-11-21T17:13:38","guid":{"rendered":"https:\/\/www.uri.edu\/magazine\/?p=17865"},"modified":"2025-11-21T12:13:39","modified_gmt":"2025-11-21T17:13:39","slug":"memory-loss","status":"publish","type":"post","link":"https:\/\/www.uri.edu\/magazine\/issues\/fall-2025\/memory-loss\/","title":{"rendered":"Memory Loss"},"content":{"rendered":"\n
\"A<\/figure>\n\n\n\n

\u201cD4X9705: Lower Ninth Ward, Memory Loss,\u201d by Stan Strembicki (2006)<\/p>\n\n\n\n

Twenty years ago, in August 2005, Hurricane Katrina arrived in New Orleans.<\/p>\n\n\n\n

Photographer Stan Strembicki \u201975, who has a long relationship with the city, arrived shortly after the storm to document the catastrophe, focusing on the hard-hit Lower Ninth Ward. \u201cAs an artist,\u201d he says, \u201cI felt compelled to do something, anything. Where do you start when faced with an over-whelming event like Katrina\u2014a city emptied and ruined?\u201d<\/p>\n\n\n\n

Strembicki began looking for \u201csymbols of loss, [gravitating] to found photo albums, wedding albums, snapshots. These were something everyone had and understood. I brought along a 60 millimeter macro lens and made photographs of the objects I found, taking nothing with me but images.\u201d<\/p>\n\n\n\n

The resulting images of water-damaged photos became an ongoing project, \u201cMemory Loss,\u201d and can be seen in the recently released docuseries on Netflix, Katrina: Come Hell and High Water<\/em>, in an episode directed by Spike Lee.<\/p>\n\n\n\n

An emeritus professor of art at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, Mo., Strembicki has exhibited his work internationally and has work in the permanent collections of museums in the Midwest and southern U.S.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cMemory Loss,\u201d a project by photographer Stan Strembicki \u201975, has been featured in a recently released docuseries on Netflix, Katrina: Come Hell and High Water.<\/em> <\/p>\n","protected":false},"author":12,"featured_media":17832,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[355],"tags":[],"class_list":["post-17865","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fall-2025","architecture-network","architecture-pictured-network"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.uri.edu\/magazine\/wp-json\/wp\/v2\/posts\/17865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uri.edu\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uri.edu\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uri.edu\/magazine\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uri.edu\/magazine\/wp-json\/wp\/v2\/comments?post=17865"}],"version-history":[{"count":2,"href":"https:\/\/www.uri.edu\/magazine\/wp-json\/wp\/v2\/posts\/17865\/revisions"}],"predecessor-version":[{"id":17908,"href":"https:\/\/www.uri.edu\/magazine\/wp-json\/wp\/v2\/posts\/17865\/revisions\/17908"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uri.edu\/magazine\/wp-json\/wp\/v2\/media\/17832"}],"wp:attachment":[{"href":"https:\/\/www.uri.edu\/magazine\/wp-json\/wp\/v2\/media?parent=17865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uri.edu\/magazine\/wp-json\/wp\/v2\/categories?post=17865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uri.edu\/magazine\/wp-json\/wp\/v2\/tags?post=17865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}